How Ragni Agarwal Found Hope and Healing Through Her Art

Ragni Agarwal is an Indian-American artist based in Los Angeles. Her vibrant pieces, feature confident, graceful women, and act as love letters to the women who helped her survive. "I wouldn't be around if it wasn't for them," shared Agarwal when we met at Ten Women Gallery in Santa Monica, a cooperative gallery for women artists where she is a member.

“Super Hit” / “Tu Cheez Badi Hai Mast Mast”

Agarwal was drawn to the arts from a young age and it became her safe haven, especially during bouts of anxiety and depression through her childhood. After college, she worked at startups as a graphic designer and had mostly lost touch with her personal art practice. "I was doing all the things I thought you were supposed to, but I was really unhappy," shared Agarwal. "There was a week where I just couldn't get out of bed, so I started illustrating on my laptop and ended up posting an illustration [on Instagram] for 30 days straight."

Share

Agarwal's illustrations, ranging from mental health posts to fashion inspired to random doodles, started resonating with people immediately. At the end of her first 30-day project, she started a second. Soon, she began receiving requests to buy her art or commissions, allowing her to spend more time focused on the work that fed her mind and soul.

Over the past five years, Agarwal has come into her own as an artist. Her work focuses on themes of female empowerment, body positivity, beauty, hope, and pure joy, shattering cultural norms in the process. Her bold, saturated color palette is the connective tissue in her work. "A lot of my art began when I was feeling dark and sad. Color was my therapy; it helped me come out of those dark places."

Share

One of her most meaningful collections, "Badtameez Betis" (Bad Girls or Ill-Mannered Daughters), was recently shown at The Other Art Fair in London. The collection represents misfits, like the artist, who were often told they were "bad" because they didn't abide by society's expectations. Agarwal's work is a homage to these women and a call to action to reclaim their power. Badtameez Betis also touches on the Agarwal’s deeper goal. Her vision is to create a safe space for girls and women to celebrate the strength and bond of female relationships that are so vital and sacred. She wants to have a place for young girls where they can "make art, dance, and learn to feel empowered and confident." Reflecting on her own journey, something like this would have been incredible for her in those early, formative years. 

“Kitty Party”, a nod to modern sisterhood and Agarwal’s most popular piece

These days, with the impossible standards set by social media for women, especially young women, and the death of teen girl culture, I think we can all agree that we need more Badtameez Betis out there.

Thanks, Ragni, for sharing your story, vision, and art with us! You can purchase her prints at RagniAgarwal.com and follow her on Instagram at @ragni_agarwal_

Previous
Previous

Joshua Nazario's Art: A Window into Puerto Rican Culture

Next
Next

The Power of Visual Storytelling: An Interview with Gabriela Bhaskar