The Studio Visit That Changed the Room

Wide view of a sun-filled living room with skylight, long oak built-in, sectional, Eames lounge, and Kour Pour’s cobalt Tiger in Blue (2024) anchoring the right wall; block printing ink and acrylic on canvas.

The living room post install with Tiger in Blue (2024) by Kour Pour as the anchor, setting the tone of the space.

Closing out the year with a project that was pure joy to shape. Thought I’d give you a peek into a home that came together because the clients were curious, generous, and open to what art could do for the way they live. They’d just finished a major renovation; the house is sun-filled and warm, and they wanted to layer color, texture, and stories that reflect roots in Singapore, South Africa, Canada, and India.

Where we started

Collage of reference images mixing folk art, textiles, woven threads, and contemporary art.

Our first moodboard clarified the brief folk art, organic materials, and bold color as a pop. Árvore da vida (“Tree of Life”) by the Brazilian artist Paulo Nimer Pjota (bottom row, second) was the piece we kept referencing as the feeling we wanted for the anchor.

We began before the moodboard—with conversations about what moves them. Were they drawn to abstraction or figuration (and why)? What felt meaningful versus merely symbolic? The through lines that started to emerge were materials with hand and history (nothing glossy), and a decisive anchor that could hold layers of meaning and connection. Early on, a Paulo Nimer Pjota (bottom row, second) we saw at Frieze clarified the brief—bold color, layered storytelling, emotion before labels.

The family room brief

This is the heart of the home—the first space that greets guests and the place everyone lands at day’s end. The skylight throws strong light across one wall, a long oak built-in runs the length of the room, and the space needs to read from multiple angles.

From the start, we knew we’d pair one decisive anchor with two material-forward works—and we wanted a sculptural note above the sofa (more on that below).

The counterpoints we found first

While we studied options for the anchor, two pieces clicked immediately—true “you just know” moments:

Photos of Alyssa Breid's Ko Sequence II, a neutral woven canvas in a handmade walnut frame; unmercerized cotton on canvas with subtle geometric bands

Alyssa Breid, Ko Sequence II (similar here, here, and here)

Alyssa Breid’s woven canvas, a minimalist geometry in thread that gives the room its slow heartbeat.

Front crop of a bright cobalt ceramic wall sculpture by Jessica Sellinger with soft, ruffled folds.

Jessica Sellinger, Wave Wall Sculpture (Cobalt) (available here and in more color ways)

Jessica Sellinger’s cobalt wall sculpture, small in scale with big presence, a joyful fold of color between neutrals.

Counterpoints in place: raw thread meets saturated blue—structure and softness side by side.

Together they gave us structure and softness—saturated blue meeting raw thread. They became the foundation for the room’s yin and yang.

The anchor that chose us back

Lota Goods on Instagram: "LA based artist Kour Pour (@kourpour)…

We kept returning to a body of work that felt right for this family—contemporary, layered, and in conversation with global visual histories. I’ve followed Kour Pour for years; his practice challenges the myth that abstraction was “invented” in early-20th-century Europe, tracing lineages to Islamic geometry, Persian manuscripts, Inca textiles, Tantric paintings, and more (highly recommend this for further reading). His shaped canvases make those connections visible—reframing canon, honoring source traditions.

When I reached out, the piece they loved had sold. Kour invited us to his Inglewood studio anyway. My clients brought their family and as they experience the studio - finished works, in process pieces, the colors, the inspiration - something unlocked.

Tiger in Blue (2024) showing stylized tiger patterning and layered marks in cobalt, gold, cream; block printing ink and acrylic on canvas.

Kour Pour, Tiger in Blue (2024) inspired by the Korean parable of the Tiger (protection) and Magpie (good news). The work is block printed on canvas which creates delicious grooves and texture in person.

We landed on a commission, Tiger in Blue, drawing on a Korean folk pairing: the tiger as protection, the magpie as good news and beginnings. It’s a symbol set that met this moment in their lives.

Kour Pour’s Tiger in Blue (2024) mounted above an oak cabinet beneath a skylight, natural light washing the wall.

The way the light hits is truly perfection.

If you’re tired of scrolling Pinterest for hours and still not knowing what art actually fits your space (or your soul), I can help. I’ve spent years discovering emerging artists and learning how to match people to work that genuinely resonates. Whether you need a framework to discover your style or hands-on guidance curating specific pieces, there’s a way we can work together. Learn More

Living with art

Wide bedroom view with mustard quilt and a horizontal mixed-media textile work by Vanessa Valero (2024) in a slim wood frame above the bed.

Vanessa Valero, Mixed Media on Textile

We first tried this piece by Vanessa Valero (above) in the living room, but it wasn’t quite right for the wall size—or for how the room gets used (lots of gymnastics off the couch!). We moved it to the bedroom and it immediately exhaled.

Valero’s piece, part watercolor, part embroidery, is a meditation at eye level - the right tempo for waking up and the last look before sleep. What I love most here is the conversation between hand and wash—the thread carries the memory of touch; the watercolor carries breath. It echoes home’s themes of the home overall. It is not overt, but if you notice the colors, materials, and stories from room to room, you can feel the hum of a space in harmony.

Close detail of Valero’s 2024 piece showing stitched forms and soft watercolor in teal, plum, yellow, and brown on natural fabric.

Detail of Valero’s work as a trained textile artist she bring embroidery and thread into many of her works, bringing structure to the watercolor blooms

Why this home, this way

This project is about choosing with conviction and letting light and life tell you where each piece belongs. Artworks become companions—through the highs, the lows, and the everyday in between.

This project is about balancing material, color, style, and story until a space feels like you. A home with stories and space for warmth, joy, and memories - old and new. And the artworks become companions through the highest of highs, lowest of lows and of course the everyday in between moments. The rest comes in time - the best collections are lived in, not rushed.

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Photos courtesy client and my own

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